![]() Each consumer review is verified for authenticity prior to publication, ensuring that reviews come only from consumers who have actually purchased the products being reviewed. You have made a significant contribution to ensuring that new customers can shop with us with confidence. We would like to sincerely thank all customers who have taken the time to write a review in recent years. The number of reviews submitted may therefore seem small - but every single one of them is authentic. As we strictly adhere to the legal requirements, we do not bother our customers with unwanted review requests. Frame not included in delivery.Ĭustomer Reviews: ( 1) 5 /5 Customer reviews at : Since 2012, our customers have had the opportunity to publish their experiences and satisfaction with Artistshome by leaving a review on the item they purchased. In very good condition, an excellent impression from the archives. In addition, you'll receive a proof of identity (without selling price in case this print is intended as a present). Your print is being delivered with an abstract from the a.m. Mourlot, F., Chagall Lithograph 1957-1962, A. ![]() Since then, vast numbers of reproductions were put in circulation which are anything but original(!) lithographs. Four years later, in 1960, the follow-up issue "Illustrations for The Bible" was published, with another 24 gorgeous color lithographs. For his "Bible I" Marc Chagall focused on characters from the Old Testament such as the Founding Fathers, the Kings, the Prophets and Angels. For this outstanding issue, Chagall composed 18 full-page colour lithographs and 12 in black and white. In 1956, the French art critic and publisher Tériade brought out a special issue of the legendary art magazine Verve, which was exclusively devoted to one of Marc Chagalls major themes: The Bible. ![]() Éditions de la Revue Verve, Tériade, Paris ![]() In addition, 50 pencil-signed and numbered impressions on Arches wove paper were published. One of 6500 unsigned impressions from the book edition on strong velin paper. This is N O T a mass-produced reprint (photomechanical reproduction such as offset lithographs or giclée prints) but the original lithograph from Chagall's Bible II, exactly as referenced in Mourlots catalogue raisonné. On the reverse: another plain-coloured original lithograph (Mourlot no. Original lithograph in colours (Mourlot no. All of this can be found everywhere in this beautiful lithograph. When Adam and Eve eat the forbidden fruit, they set off a polarity which will only be resolved at the end of all time with the promised paradise: good and evil, joy and grief, life and death. Isn't this how modern men today feel as well? The temptation of the evil in the form of the snake seeks to outplay and dominate the good. Unfortunately, their curiosity tricks them into doing what is forbidden. The first human couple curiously seized their paradisiac surroundings. Note that shades of brown also stand for enlightenment, experience and confidence. Their life and love, fresh and close to nature. Chagall carefully selected these colours for this painting. Mellow tints such as pink, pastel green and earthy-brown. They lived in an idyllic world, surrounded by flowers, plants, fruits, trees and animals. This is how Chagall portrayed the first human couple. Adam and Eve in the Garden of Eden, both are naked, a symbol for their innocence and untaintedness.
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